So Much History

Co-owner and business manager of the Negro National League’s Newark Eagles Effa Manley, was a staunch supporter of the league. She was an enthusiast champion of civil rights and was not afraid to knocked heads with baseball’s Branch Rickey, Bill Veeck, and Jackie Robinson.

Baseball executive extraordinaire Effa Manley and her husband Abe Manley started the Eagles team in Brooklyn in 1935, naming it after the local newspaper. Effa was born March 27, 1897, in Philadelphia, to an interracial family. Effa believed her mother’s husband, Benjamin Brooks, a Black man, was her father. It was when she was a teenager her mother Bertha Ford Brooks felt compelled to tell her the truth of her illegitimate parentage. Brooks revealed to her daughter that she had had an affair with her White employer, John Marcus Bishop, and she was the result. Brooks told her on multiple occasions that she was White. Effa's complexion, which was olive toned, allowed her to mix fairly easily with Blacks. Throughout her life and career, people who met her assumed she was Black. While growing up in Philadelphia, Manley attended Newton Grammar School but eventually transferred to William Penn Central High School.

After graduation from William Penn in 1916, Effa Brooks moved to New York City, New York where she lived in Harlem working in a Millinery in Manhattan in a position she likely secured by presenting herself as a White woman. In 1920, Manley met her first husband, George Bush, a chauffeur. She would take the subway downtown as a white woman, and return to Harlem as a Black one. They later divorced. In 1932, Manley met her second husband, Abraham Manley, at one of the New York Yankees home game of the 1932 World Series. Abe was an avid baseball fan, particularly of Philadelphia's Hilldale squad. The couple married a year later June 15, 1933. Abe Manley worked as a numbers gambling kingpin. After their marriage, the couple moved to the Sugar Hill area of Harlem.

On November 13th of 1934, the National Negro League (NNL) owners awarded Abe a franchise, the Brooklyn Eagles. The Eagles played in the Brooklyn Dodger's Ebbets Field, but moved the franchise after acquiring a semi-pro team based in Newark, as settlement of the owner’s $500 debt to Abe. The Eagles players included Leon Day, Rap Dixon, and Ted “Double Duty” Radcliffe. On their first Opening Day as the Eagles’ owners -Saturday, May 11, 1935- Effa brought in New York Mayor Fiorello LaGuardia to throw out the first pitch. The team ended the season in sixth place of eight teams. In 1936, they purchased the Newark Dodgers franchise and moved the Eagles to Newark. Abe and Effa co-owned the Eagles franchise, but it was Effa who would soon oversee the day-to-day management of the team, while Abe tended to recruitment. Team management was left to Effa. Manley was known as a players' advocate.

"I was surprised even myself with my rapid progress in absorbing the lesson so vital to the successful operation of a modern day baseball organization," she modestly marveled. Manley recognized that her team was a community resource. Said former Eagles star Max Manning: "The Eagles were to (Black) Newark what the Dodgers were to Brooklyn." Effa Manley excelled in a male-monopolized role. Manley was directly responsible for many of the everyday operations for the Eagles, including mapping out playing schedules, booking players’ travel arrangements, negotiating player contracts, and publicizing the games. It was Effa who kept the team running smoothly week after week. The Manleys worked to improve the management of the Negro National League.

In March 1936, the owners elected Abe Manley vice president and the next year as treasurer. Initially, Effa worked behind the scenes with Abe, but Effa seems to have handled the transactions. It was she that completed much of his work for the league. She moved into a more active and public role. At the owners meeting in January 1937 in Philadelphia she suggested changes for how to improve the league. Like Abe, she suggested that the league operate more formally. She had had no formal training in business administration, and women executives in any American business were scarce. But once in the co-owner position, her natural talents rose to the fore. The other owners may have chafed at this, but they did respect her financial abilities and strength. 

Effa was active in the Civil Rights Movement and a social activist. She  used her position to work for the betterment of Black people. As part of her work for the Citizens' League for Fair Play, Manley organized a 1934 boycott of stores that refused to hire Black sales clerks. Those picketing the store carried signs that said, “We Won’t Shop Where We Can’t Work.” After six weeks, the owners of the store (Blumstein's Department Store) gave in. By the end of 1935 the store owner of some 300 stores agreed to hire Black woman as sales clerks. Manley was also an officer of the Edgecombe Sanitarium Renaissance Committee and the Children's Camp Committee of New York. She believed that African-Americans had great untapped potential. The Black race "does not know its own strength," said Manley in 1936, "and when it begins to realize what really fine things the race is capable of doing it will show rapid progress."

In 1937 Effa turned to raising funds for the victims of flooding in the Ohio and Mississippi River valleys. She was also treasurer of the New Jersey National Association for the Advancement of Colored People (NAACP). Her work for civil rights was also on the baseball diamond. In 1939, Manley held an “Anti-Lynching” campaign at the Eagles’ Ruppert Stadium, where stadium ushers sold buttons and wore sashes that said “Stop Lynching” to support efforts to pass federal anti-lynching legislation. The start of World War II saw many changes in professional baseball. Effa supported the war effort through her work as a local warden for the Newark Defense Council, for the Price Control Board. Once she invited the entire 372nd Infantry Regiment, to attend an Eagles game as her guests. She made sure that the soldiers at Fort Dix had entertainment, paying for a bus to transport performers there.

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